Pat Novak, played by Jack Webb, was a private detective working out of Pier 19, a waterfront office in San Francisco. The stories were always very similar: Someone would hire him, (if not a beautiful woman, the job would lead to a beautiful woman) someone would get murdered, he would investigate the case, get beaten up by the thugs, and then the case would be solved and end with glorious violence. The closing was always the same; the listener would be told who had done what, to whom and why they had done it.

THIS EPISODE:
March 6, 1949. Program #2. ABC network origination, AFRS rebroadcast. A dead horse leads to a dead jockey and a hot tip on murder. Jack Webb, Virginia Gregg, Hugh Thomas. 1/2 hour.

THE FRED ALLEN SHOW - Born John Florence Sullivan on May 31, 1894, Fred Allen began his career in vaudeville before becoming one of radio’s most acerbic and admired wits. Allen and his wife, former chorus girl Portland Hoffa, began their radio career on October 23, 1932, starring on The Linit Bath Club Revue. By 1934, Allen was starring on Town Hall Tonight, a one-hour show which featured Allen examining current events and interviewing unusual guests. It was here that Allen began radio’s longest-running “feud” in 1937, when he made a series of jokes about fellow comedian Jack Benny. Allen's best-remembered feature was “Allen's Alley,” a weekly segment in which he would discuss issues of the day with eccentric creations like the blustery Senator Claghorn, Brooklyn housewife Pansy Nussbaum and stoic New Englander Titus Moody. Allen was known to read up to nine newspapers a day and often spent 12 to 14 hours a day writing and re-writing his scripts. Poor health forced Allen off the air in 1944, but he returned in the fall of 1945 with The Fred Allen Show, which lasted until June 26, 1949. Fred Allen died on March 17, 1956. Fred Allen was inducted into the Radio Hall of Fame in 1988.

The Adventures of Frank Race was a 1949-50 radio adventure serial syndicated by Bruce Ellis Productions. The 30-minute program was first broadcast in some markets beginning May 1, 1949. An attorney who turned international adventurer after WWII, Frank Race (Tom Collins, Paul Dubov) mainly investigated insurance scams. After the first 22 shows, Dubov took over the title role. Tony Barnett portrayed Mark Donovan. The series was written and directed by Joel Murcott and Buckley Angel. The announcer was Art Gilmore, and Ivan Ditmars provided the background organ music.

The Secrets of Scotland Yard is hosted by Clive Brook, narrator of LM Radio. Brook was a successful director writer, and actor in many films, including “Dressed to Thrill” in 1935, “The Flemish Farm” in 1943 and “On Approval” in 1944. He was probably best remembered for playing opposite Marlene Dietrich in the 1932 movie, “Shanghai Express.” He also played Sherlock Holmes in the 1932 movie of the same name.

THIS EPISODE:
Towers Of London syndication. "The Perfect Detective". Commercials added locally. The story Jonathan Wild, an extraordinary "fence" and all-around criminal. He also excelled at arresting criminals! To be a perfect detective, you have to be a perfect crook! Clive Brook (host). 30:01.

THE REAL MCCOYS - A happy-go-lucking West Virginia mountain family picks up stakes and moves to a ranch in California's San Fernando Valley. Center of the action, and undisputed star of the show, was Grandpa, a porch-rockin', gol-darnin', consarnin' old geezer with a wheezy voice who liked to meddle in practically everybody's affairs, neighbors and kin alike. His kin were grandson Luke and his new bride, Kate; Luke's teenage sister, Hassie; and Luke's 11-year-old brother, Little Luke (their parents were deceased). Completing the regular cast were Pepino, their loyal farm hand; George MacMichael, their crusty neighbor and Amos' best friend; and Flora, George's spinster sister who had eyes for Amos

THIS EPISODE:
Grampa Sells His Gun adapted for radio aired on October 24, 1957. The Real McCoys was a situation comedy that aired on the ABC network from 1957 through 1962. It aired for one more season on CBS before its end in 1963. The series revolved around the lives of a mountain family who originally hailed from West Virginia. The McCoys moved to California where they became dirt farmers. The family consisted of Grampa Amos McCoy, the head of the family played by Walter Brennan, his grandson Luke played by Richard Crenna, Luke's new bride Kate played by Kathleen Nolan, teenage sister Hassie played be Lydia Reed, and 11-year-old brother Little Luke played by Michael Winkelman. The Real McCoys paved the way for such rural hits as The Beverly Hillbillies and The Andy Griffith Show.

BLONDIE - Not many cartoon strips from the 30's are still popular, but Blondie is one of the few. Still widely read today, Blondie was also made into movies and of course, radio. Her beau, soon to be husband, Dagwood and her were an unlikely match. Dagwood actually came from money and his parents were displeased with his choice of girlfriend, but boldly defying them, he accepted being disowned and married Blondie anyway. In the beginning, Blondie was a flapper and portrayed as a bit of an airhead, but marriage seemed to mature her and she was actually the more levelheaded of the two, often getting Dagwood out of the messes he got himself into when he would cry out "BLONDIEEEEEEEE!!" Almost everyone could see a bit of themselves in the everyday lives of the Bumsteads and judging from the continued enjoyment of the characters, almost everyone still can. Truly a delightful show.

THIS EPISODE:
1950. ABC netwoek origination, AFRS rebroadcast. Dagwood loses an important package with $5000 in it. Now, where did he put it for safekeeping? The AFRS music fill has been deleted. Arthur Lake, Ann Rutherford, Hanley Stafford. 24:37.

Barry Craig, Confidential Investigator is one of the few detective radio series that had separate versions of it broadcast from both coasts. Even the spelling changed over the years. It was first "Barry Crane" and then "Barrie Craig". NBC produced it in New York from 1951 to 1954 and then moved it to Hollywood where it aired from 1954 to 1955. It attracted only occasional sponsors so it was usually a sustainer. William Gargan, who also played the better known television (and radio) detective Martin Kane, was the voice of New York eye BARRY CRAIG while Ralph Bell portrayed his associate, Lt. Travis Rogers. Craig's office was on Madison Avenue and his adventures were fairly standard PI fare. He worked alone, solved cases efficiently, and feared no man. As the promos went, he was "your man when you can't go to the cops. Confidentiality a speciality."
Like Sam Spade, Craig narrated his stories, in addition to being the leading character in this 30 minute show. Nearly sixty episodes are in trading circulation today.

Casey, Crime Photographer - The adventures of Casey, crack photographer for The Morning Express, were told in this series, which moved to television after a highly successful run on radio in the 1940’s. Casey hung out at the Blue Note Café, where the music was provided by the Tony Mottola Trio, and was friendly with Ethelbert, the bartender, to whom he recounted his various exploits. Richard Carlyle and John Gibson portrayed the roles when the series premiered in April, 1951, but by June they were replaced by Darren McGavin and Cliff Hall. Ann Williams, a reporter on The Morning Express, was Casey’s girlfriend. During the summer of 1951 he acquired a partner in cub reporter Jack Lipman, who wrote copy to go with Casey’s pictures. This live series was set in and broadcast from, New York City.

THIS EPISODE:
September 5, 1946. CBS network. "The Handkerchief". Sponsored by: Anchor Hocking Glass. A tavern owner is killed and his $20,000 is missing. The identity of the culprit is obvious, or is he? Alonzo Deen Cole (writer), Tony Marvin (announcer), John Gibson, John Dietz (director), Staats Cotsworth, Lesley Woods, Bernard Lenrow, Herman Chittison (piano), Archie Bleyer (composer), George Harmon Coxe (creator). 29:51.

Cloak & Dagger - "Are you willing to undertake a dangerous mission for the United States, knowing in advance you may never return alive?" Cloak and Dagger first aired over the NBC network on May 7, 1950. It had a short run through the Summer on Sundays, changing to Fridays after its Summer run. The last show aired Oct. 22, 1950. This is the story of the WWII special governmental agency, the OSS, or Office of Strategic Services. Its mission was to develop and maintain spy networks throughout Europe and into Asia, while giving aid to underground partisan groups and developing espionage activities for Allied forces overseas.The show is based on the book of the same name by Lt. Col. Corey Ford and Major Alastair MacBain (who were associated with the OSS from its early days.) The dramas are not Hollywood-style, in that they sometimes end with plans foiled or leading characters dead.
 
THIS EPISODE:
May 28, 1950. NBC network. "The Trojan Horse". Sustaining. 4:00 P. M. Gabrielle Monet, a Parisian nightclub singer, is brought to Casablanca to give her former lover the wrong information about the planned Allied invasion of North Africa. Jane White, Raymond Edward Johnson, Berry Kroeger, Leon Janney, Joseph Julian, Karl Weber, Guy Sorel, Bernie Gould, Jon Gart (music director), Louis G. Cowan (producer), Corey Ford (originator), Alfred Hollander (producer), Sherman Marks (director, supervisor), Winifred Wolfe (writer), Alistair MacBain (originator). 29:25.

The Bickersons - This old time radio series from the 1940s was an extremely popular situation comedy performed by Don Ameche and Frances Langford as battling spouses, John and Blanche Bickerson. Other actors portrayed the parts in later years with Lew Parker ("That Girl") joining Langford and the non-stop petty insults on the television series. The unhappy couple was routinely overheard during their vituperative pillow talk sessions, spouting marital mayhem drenched in caustic wit.

Crime Does Not Pay was an anthology radio crime drama series based on MGM's short film series. The films began in 1935 with Crime Does Not Pay: Buried Loot. For the most part, actors who appeared in B-films were featured, but occasionally, one of MGM's major stars would make an appearance. The radio series aired in New York on WMGM (October 10, 1949-October 10, 1951) and then moved to the Mutual network (January 7-December 22, 1952). Actors included Bela Lugosi, Everett Sloane, Ed Begley, John Loder and Lionel Stander.

THIS EPISODE:
December 19, 1949. MGM syndication. "Dead Pigeon". Commercials added locally. Louie "The Dasher" Monroe decides Georgie is a stool pigeon. The best stool pigeon is a dead stool pigeon! The date above is the date of the first broadcast on WMGM, New York from which this syndicated version may have been taken. Marx B. Loeb (director), Myron McCormick, Jon Gart (composer, conductor), Ira Marion (writer), Burton B. Turkas (technical advisor). 26:23.

Inspector Thorne - Another radio detective from the pen of Frank and Ann Hummert was Inspector Thorne. The series was short-lived and also had two stars portraying the lead. The first was Karl Weber and the second was Staats Cotsworth.By the 1940's, Frank and Ann Hummert controlled four and a half hours of national weekday broadcast schedules. Their features reportedly spawned more that 5 million pieces of correspondence annually from steadfast fans. Simultaneously they brought in more than half of the national radio chain's advertising revenues generated during the daylight hours. The couple broadcast 18 quarter-hour serials five times weekly, a total of 90 original episodes for 52 weeks per year, with none of those ever repeated. Some shows were "Amanda of Honeymoon Hill", "Backstage Wife","Chaplin Jim USA", "David Harum", "Easy Aces", "Front Page Farrell", "John's Other Wife", "Just Plain Bill", "The Life of Mary Sothern","Lora Lawton", "Lorenzo Jones", "Ma Perkins", "Mrs Wiggs of the Cabbage Patch", "Our Gal Sunday", "The Romance of Helen Trent" and "Young Widder Brown".

Lux Radio Theater, one of the genuine classic radio anthology series (NBC Blue Network (1934-1935); CBS (1935-1954); NBC (1954-1955)) adapted first Broadway stage works, and then (especially) films to hour-long live radio presentations. It quickly became the most popular dramatic anthology series on radio, running more than twenty years. The program always began with an announcer proclaiming, "Ladies and gentlemen, Lux presents Hollywood!" Cecil B. DeMille was the host of the series each Monday evening from June 1, 1936, until January 22, 1945. On one occasion, however, he was replaced by Leslie Howard.

THIS EPISODE:
September 17, 1951. CBS network. "Sunset Boulevard". Sponsored by: Lux. The famous story about the faded Hollywood star and the young screen writer. Nancy Gates, John Wengraf, Gloria Swanson, William Holden, William Conrad, William Keighley (host), John Milton Kennedy (announcer), Rudy Schrager (music director), William Johnstone, George Neise, Herb Butterfield, Dan Riss, Irene Martin (intermission guest), Charles Brackett (author, screenwriter), Billy Wilder (author, screenwriter), D. M. Marshman Jr. (screenwriter), Earl Ebi (director), Sanford Barnett (adaptor), Charlie Forsyth (sound effects). 59:29.

THE HALLS OF IVY - Ronald Colman and his wife Benita Hume starred in the Halls of Ivy, a very well-written, superbly acted radio program that was full of warmth and wit. The show aired from 1950 to 1952 on NBC and is not often mentioned when old-time radio programs are the topic of conversation, but it is one of my favorites. The combination of Mr. & Mrs. Colman's acting and Don Quinn's writing made for an enjoyable half-hour's worth of entertainment. The show was created by Don Quinn who for many, many years put words in the mouths of Fibber McGee and Molly. Quinn wrote jokes that made you think. On the McGee program there was a fast and furious onslaught of crazy puns, mangled cliches, and double-meanings. Sometimes all at once -- when delivered by the superb timing of the talented Jim Jordan as Fibber.

Crime Club was a Mutual Network  murder and mystery series, a product of the Doubleday Crime Book Club imprints found weekly in bookstores everywhere. The telephone rings"Hello, I hope I haven't kept you waiting. Yes, this is the Crime Club. I'm the Librarian. Murder Rents A Room? Yes, we have that Crime Club story for you.Come right over. (The organist in the shadowed corner of the Crime Club library shivers the ivories) The doorbell tones sullenly"And you are here. Good. Take the easy chair by the window. Comfortable? The book is on this shelf." (The organist hits the scary chord) "Let's look at it under the reading lamp." The Librarian, played by Raymond E. Johnson,  begins reading the tale. Veteran Willis Cooper (Lights Out, Quiet Please) did some of the scripts from the Crime Club books.

The CBS Radio Mystery Theater (or CBSRMT) was an ambitious and sustained attempt to revive the great drama of old-time radio in the 1970s. Created by Himan Brown (who had by then become a radio legend due to his work on Inner Sanctum Mysteries and other shows dating back to the 1930s), and aired on affiliate stations across the CBS Radio network, the series began its long run on January 6, 1974. The final episode ran on December 31, 1982. The show was broadcast nightly and ran for one hour, including commercials. Typically, a week consisted of three to four new episodes, with the remainder of the week filled out with reruns. There were a total of 1399 original episodes broadcast. The total number of broadcasts, including reruns, was 2969. The late E.G. Marshall hosted the program every year but the final one, when actress Tammy Grimes took over.

The Chicago Theater Of The Air was a rather unique program that was created in 1940, during a time when operas and dramas were popular. The show attempted to add a degree of high culture to American entertainment.  The operas were translated into English.  A few examples of high end creations were  Madame Butterfly, The Vagabond King and The Merry Widow.

The Life of Riley, with William Bendix in the title role, was a popular radio situation comedy series of the 1940s that was adapted into a 1949 feature film and continued as a long-running television series during the 1950s. The show began as a proposed Groucho Marx radio series, The Flotsam Family, but the sponsor balked at what would have been essentially a straight head-of-household role for the comedian. Then producer Irving Brecher saw Bendix as taxicab company owner Tim McGuerin in the movie The McGuerins from Brooklyn (1942). The Flotsam Family was reworked with Bendix cast as blundering Chester A. Riley, riveter at a California aircraft plant, and his frequent exclamation of indignation---"What a revoltin' development this is!"---became one of the most famous catch phrases of the 1940s. The radio series also benefited from the immense popularity of a supporting character, Digby "Digger" O'Dell (John Brown), "the friendly undertaker.

These were stories written by well-known science fiction authors dramatised by very high quality actors. It was a thirty-minute adult science fiction drama series with 45 episodes being broadcast before it was later revived as X Minus One. The shows were narrated by Norman Rose, perfecting the combination between authoritative resonance and dark irony.

SPONSORS: General Mills for Wheaties
CAST: Art Carney, Jack Grimes, Jack Lemmon, Santos Ortega, Norman Rose, Jackson Beck, Mandel Kramer, Peter Lazer, Larry Haines, Everett Sloane, Joan Alexander, Jan Miner, Claudia Morgan, Ralph Bell, Raymond Edward Johnson, Bryna Raeburn, Patricia Wheel, Joyce Gordon, Ronald Liss, Leon Janney, Luis Van Rooten
ANNOUNCERS: Bob Warren, Fred Collins
PRODUCERS/DIRECTORS: Danny Sutter, Ed King, Fred Weihe
WRITERS: Ray Bradbury, Earl Hamner, Jr
SOUND EFFECTS: Sam Monroe, Agnew Horine

Nightwatch - January 7, 1954. CBS network. Audition program. Real police recordings, no actors are used. Car 54 and police reporter Donn Reed answer the first all, a Code 2 alert that a burglary is taking place. A woman is pushed in the bathroom by an alcoholic young man wearing a tie. He's captured in another house...wearing no clothes! A patrol through Culver City. Later, two witnesses to a homicide are interviewed. The suspect is captured and confesses on the air. Chief W. N. Hildebrand tells how the cases were resolved. Sterling Tracy (supervisor), Donn Reed (police reporter), W. N. Hildebrand. 25:34

Arch Oboler's Plays was a radio drama series written, produced and directed by Arch Oboler. Minus a sponsor, it ran for one year, airing Saturday evenings on NBC from March 25, 1939 to March 23, 1940 and revived five years later on Mutual for a sustaining summer run from April 5, 1945 to October 11, 1945. Leading film actors were heard on this series, including Gloria Blondell, Eddie Cantor, James Cagney, Ronald Colman, Joan Crawford, Greer Garson, Edmund Gwenn, Van Heflin, Katharine Hepburn, Elsa Lanchester, Peter Lorre, Frank Lovejoy, Raymond Massey, Burgess Meredith, Paul Muni, Alla Nazimova, Edmond O'Brien, Geraldine Page, Gale Sondergaard, Franchot Tone and George Zucco.

THIS EPISODE:
April 26, 1945. Mutual network. "The House I Live In". Sustaining. A man's son is in a Japanese prison camp, and the neighborhood doesn't seem the same. Program #3 of a series of twenty six. Arch Oboler (writer, host), Raymond Massey, Mercedes McCambridge, Hester Sondergaard, Ann Shephard, Alfred Ryder, Sylvan Levin (conductor). 1/2 hour.

Diary of Fate is a mystery and horror program where “Fate” narrates and always wins by the end of the story. These are great suspense filled stories about average people who are subject to the mysteries of their ‘Fate’. In This episode,  March 9, 1948. Program #13. Finley syndication. "The Entry Of Trina Crowley". Commercials added locally. Book 74, page 309. A mysterious and wealthy man checks into a rundown motel in the Mojave desert. Could he be the murderer with $20,000 in the trunk of his car? The date is subject to correction. No cast credits given. Larry Finley (producer). 26:46.

BEYOND MIDNIGHT - Let us journey “into the land that lies beyond midnight,” into a world of ghost hunters, men going mad, and DEATH DEATH DEATH! Written by the masterful Michael McCabe, these well-done South African radio shows will capture your attention and keep you up listening to them well beyond midnight.

CBS Radio Workshop - April 13, 1956. CBS network. "Jacob's Hands". Sustaining. A good story about a farm hand who discovers he has the power to heal. Aldous Huxley (author), Christopher Isherwood (author), Hans Conried, Harry Bartell, Helen Kleeb, Herb Butterfield, Janet Stewart, John Dehner, Lawrence Dobkin, Parley Baer, Vic Perrin, Virginia Gregg, William Conrad. 1/2 hour

Jacob Ericson is a shy, enigmatic, and somewhat inept ranch hand who works for crotchety Professor Carter and his crippled daughter, Sharon, on a ranch in California's Mojave Desert in the 1920s. One day he learns that his hands possess the mysterious gift of healing, a gift he uses to cure animals (whom he adores). Sharon (whom he also adores) then persuades him to heal her.

Gunsmoke - Some listeners (such as old time radio expert John Dunning) have argued that the radio version of Gunsmoke was far more realistic than the television program. Episodes were aimed at adults, and featured some of the most explicit content of the day: there were violent crimes and scalpings, massacres and opium addicts. Miss Kitty's occupation as a prostitute was made far more obvious on the radio version than on television. Many episodes ended on a down-note, and villains often got away with their crimes.

THIS EPISODE:
March 15, 1959. CBS network. "Incident At Indian Ford". Commercials deleted. Marshal Dillon and Chester meet up with eight cavalry soldiers traveling with Mary Taber, who has just been ransomed back from the Arapahos. The script was used on the Gunsmoke television series on December 2, 1961. William Conrad, John Dunkel (writer), Howard McNear, Georgia Ellis, Jeanne Bates, Jack Moyles, Vic Perrin, Parley Baer, John Meston (editorial supervisor), George Walsh (announcer), Norman Macdonnell (producer, director). 25:09.

The Jack Benny Program - Benny had been only a minor vaudeville performer, but he became a national figure with The Jack Benny Program, a weekly radio show which ran from 1932 to 1948 on NBC and from 1949 to 1955 on CBS, and was consistently among the most highly rated programs during most of that run. With Canada Dry Ginger Ale as a sponsor, Benny came to radio on The Canada Dry Program, beginning May 2, 1932, on the NBC Blue Network and continuing there for six months until October 26, moving the show to CBS on October 30. With Ted Weems leading the band, Benny stayed on CBS until January 26, 1933. Arriving at NBC on March 17, Benny did The Chevrolet Program until April 1, 1934. He continued with sponsors General Tires, Jell-O and Grape Nuts. Lucky Strike was the radio sponsor from 1944 to the mid-1950s. The show returned to CBS on January 2, 1949, as part of CBS president William S. Paley's notorious "raid" of NBC talent in 1948-49. There it stayed for the remainder of its radio run, which ended on May 22, 1955. CBS aired reruns of old radio episodes from 1956 to 1958 as The Best of Benny.

Amos 'n' Andy creators Gosden and Correll were white actors familiar with minstrel traditions. They met in Durham, North Carolina in 1920, and by the fall of 1925, they were performing nightly song-and-patter routines on the Chicago Tribune's station WGN. Since the Tribune syndicated Sidney Smith's popular comic strip The Gumps, which had successfully introduced the concept of daily continuity, WGN executive Ben McCanna thought the notion of a serialized drama could also work on radio. He suggested to Gosden and Correll that they adapt The Gumps to radio. They instead proposed a series about "a couple of colored characters" and borrowed certain elements of The Gumps. Their new series, Sam 'n' Henry, began January 12, 1926, fascinating radio listeners throughout the Midwest.

Tuska cited Ellery Queen, Master Detective (1940) and Ellery Queen's Penthouse Mystery (1941) as the best of the Bellamy-Lindsay pairings. "The influence of The Thin Man series was apparent in reverse", Tuska noted about Ellery Queen's Penthouse Mystery. "Ellery and Nikki are unmarried but obviously in love with each other. Probably the biggest mystery... is how Ellery ever gets a book written. Not only is Nikki attractive and perfectly willing to show off her figure", Tuska wrote, "but she also likes to write her own stories on Queen's time, and gets carried away doing her own investigations." In Ellery Queen, Master Detective, "the amorous relationship between Ellery and Nikki Porter was given a dignity, and therefore integrity", Tuska wrote, "that was lacking in the two previous entries in the series", made at Republic Pictures before Bellamy and Lindsay were signed by Columbia.

THIS EPISODE:
April 15, 1948. ABC network. "The Slicer". Sustaining. An unknown madman has murdered nineteen women by attacking them at night while they are alone. The identity of "The Slicer" is quite a surprise, you'll never guess whodunit. The "Guest Armchair Detective" is Gene Handsaker (Hollywood columnist). Paul Masterson (announcer), Gene Handsaker, Anthony Boucher (writer), Manfred B. Lee (writer), Rex Koury (organist), Dick Woollen (producer, director), Lawrence Dobkin, Kaye Brinker, Herb Butterfield, Alan Reed. 29:30.

Academy Award Theater - The list of films and actors on Academy Award Theater is very impressive. Bette Davis begins the series in Jezebel, with Ginger Rogers following in Kitty Foyle, and then Paul Muni in The Life of Louis Pasteur. The Informer had to have Victor Mclaglen, and the Maltese Falcon, Humphrey Bogart, Sidney Greenstreet (this movie was his first major motion picutre role) plus Mary Astor for the hat trick. Suspicion starred Cary Grant with Ann Todd doing the Joan Fontaine role, Ronald Coleman in Lost Horizon, and Joan Fontaine and John Lund were in Portrait of Jenny. How Snow White and the Seven Dwarfs and Pinocchio were done is something to hear!

THIS EPISODE:
November 13, 1946. CBS network. "Night Train". Sponsored by: Squibb Drugs. An exciting spy story about a British agent who recaptures a kidnapped scientist from the Gestapo, just before WWII. Rex Harrison. 1/2 hour.

The Murder at Midnight series was a thirty-minute broadcast featuring tales of the supernatural. The actors included Mercedes McCambridge and Lawson Zerbe and the show was narrated using the spooky, creepy voice of Raymond Morgan and always opened using the same gripping signature; “the witching hour, when night is darkest, our fears are the strongest, our strength at its lowest ebb… Midnight! … when graves gape open and death strikes!”

THIS EPISODE:
September 11, 1946. Program #13. Syndicated. "'Til Death Do Us Part". Commercials added locally. A new bridegroom feels a compulsion to strangle his bride! A surprise ending! Anton M. Leader (director), Charles Paul (organ), Elspeth Eric, Eric Dressler, Joseph Ruscoll (writer), Louis G. Cowan (producer). 27:00.

Escape was radio's leading anthology series of high adventure, airing on CBS from July 7, 1947 to September 25, 1954. Since the program did not have a regular sponsor like Suspense, it was subjected to frequent schedule shifts and lower production budgets, although Richfield Oil signed on as a sponsor for five months in 1950. Despite these problems, Escape enthralled many listeners during its seven-year run. The series' well-remembered opening combined Mussorgsky's Night on Bald Mountain with the  introduction, intoned by Paul Frees and William Conrad: “Tired of the everyday routine? Ever dream of a life of romantic adventure? Want to get away from it all? We offer you... Escape!”  Of the more than 230 Escape episodes, most have survived in good condition. Many story premises, both originals and adaptations, involved a protagonist in dire life-or-death straits, and the series featured more science fiction and supernatural tales than Suspense.

The Boston Blackie radio series, also starring Morris, began June 23, 1944, on NBC as a summer replacement for The Amos 'n' Andy Show. Sponsored by Rinso, the series continued until September 15 of that year. Unlike the concurrent films, Blackie had a steady romantic interest in the radio show: Lesley Woods appeared as Blackie's girlfriend Mary Wesley. Harlow Wilcox was the show's announcer. On April 11, 1945, Richard Kollmar took over the title role in a radio series syndicated by Frederic W. Ziv to Mutual and other network outlets. Over 200 episodes of this series were produced between 1944 and October 25, 1950. Other sponsors included Lifebuoy Soap, Champagne Velvet beer, and R&H beer.

THIS EPISODE:
July 14, 1944. NBC network. Sponsored by: Rinso, Lifebuoy Soap. A fabulous gem called "The Star Of The Nile" disappears from a train between Chicago and New York. It's an emerald worth $200,000...or does it? The burglary is scheduled to take place at the jewelry store's vault at midnight. The story has one of the corniest conclusions ever broadcast! The organist jumps his cue at the end of the concluding public service announcement. Chester Morris, Shirley Mitchell, Richard Lane, Tony Barrett, Ralph Moody, Charles Cornell (organ), Harlow Wilcox (announcer). 29:36.

Broadway Is My Beat, a radio crime drama, ran on CBS from February 27, 1949 to August 1, 1954. With music by Robert Stringer, the show originated from New York during its first three months on the air, with Anthony Ross portraying Times Square Detective Danny Clover. John Dietz directed for producer Lester Gottlieb. Beginning with the July 7, 1949 episode, the series was broadcast from Hollywood with producer Elliott Lewis directing a new cast in scripts by Morton Fine and David Friedkin. The opening theme of "I'll Take Manhattan" introduced Detective Danny Clover (now played by Larry Thor), a hardened New York City cop who worked homicide "from Times Square to Columbus Circle -- the gaudiest, the most violent, the lonesomest mile in the world."

THIS EPISODE:

May 12, 1951. CBS network. Sustaining. Charles Crandall is found murdered in an alley. He has no wallet, but he does have an expensive watch and a parking ticket! Charlie Crandall proves to be very much alive. Larry Thor, Elliott Lewis (producer, director), Alexander Courage (composer, conductor), Charles Calvert, Morton Fine (writer), David Friedkin (writer), Jack Kruschen, Lou Merrill, Jeanette Nolan, Joe Walters (announcer), Adam Williams, Peggy Webber, Joy Terry. 29:33.

 

Dragnet was a long-running radio and television police procedural drama about the cases of a dedicated Los Angeles police detective, Sergeant Joe Friday, and his partners. The show takes its name from an actual police term, a "dragnet", meaning a system of coordinated measures for apprehending criminals or suspects. Dragnet debuted inauspiciously. The first several months were bumpy, as Webb and company worked out the program’s format and eventually became comfortable with their characters (Friday was originally portrayed as more brash and forceful than his later usually relaxed demeanor). Gradually, Friday’s deadpan, fast-talking persona emerged, described by John Dunning as "a cop's cop, tough but not hard, conservative but caring." (Dunning, 210) Friday’s first partner was Sgt. Ben Romero, portrayed by Barton Yarborough, a longtime radio actor.

Mr. Keen, Tracer of Lost Persons was one of network radio's longest running detectives, although listening to it now would hardly explain why. This kind, elderly, boring sleuth, in company with his bumbling assistant, Mike Clancy, was on the airwaves from 1937 to 1955, logging nearly 20 years of fighting crime. The series came out of the soap opera fiction factory of Frank and Anne Hummert and encompassed most of the trite dialogue and snail plotting of daytime serials.

THIS EPISODE:
September 15, 1949. CBS network. "The Case Of Murder and The Bloodstained Necklace". Sponsored by: Anacin, Kolynos, Heet, Kriptin, Bisodol, Hills Cold Tabs. A widow for one week is found dead in a hotel room with a string of worthless pearls clutched in her hand. Frank Hummert, Anne Hummert (author), Bennett Kilpack. 1/2 hour.

The Creaking Door was an old-time radio series of horror and suspense shows originating in South Africa. There are at present anywhere from 34-37 extant episodes in MP3 circulation, yet no currently available program logs for the series indicate the year of the series' broadcast (though it was likely sometime in the 1950s, given the generally high audio quality of the available shows), or the total number of episodes, and only a handful of them are known by their broadcast order. The stories are thrillers in the Inner Sanctum vein, and generally thought of favorably by most fans of OTR.

The Planet Man
Episode7 "Kidnapping Order"  Episode8 "Bill & Jane Need Help" and Episode9 "Hoping For A Miracle"

This is the fascinating story of Dantro, The Planet Man, troubleshooter for the League of Planets organization, the law enforcement body for peace and justice in the celestial world - whose headquarters and center of operations are situated on the capital of all the planets, Planeria Rex. From Mercury to Pluto, wherever danger threatens the universe, you will find Dantro the Planet Man fighting for fair play.

Although Molle Mystery Theatre was initially sponsored by Molle Shaving Cream, other sponsors (such as Bayer Aspirin, Ironized Yeast, Phillips Milk of Magnesia) also sponsored the program. Sometimes, when it was not sponsored by Molle, the program was called "Mystery Theater". The show was first heard on NBC, on 9/7/43. Time slot was originally Sunday nights at 9:00 PM, but was later moved to Tuesday at 9:00 PM, and Friday at 10:00 PM. In 1948, the show moved to CBS (Tues, 8:00 PM), and in 1951, it moved to ABC, where it was called "Mark Sabre", and heard on Wednesdays at either 8:00 PM or 9:30 PM. The shows were tight and tension filled, with a fine orchestra score and solid production values. Classic tales from well-known authors, as well as modern unknowns were presented, and the endings were often twists or shockers.

THIS EPISODE:
April 26, 1946. NBC network. "The Doctor and The Lunatic". Sponsored by: Molle. Not auditioned. Bernard Lenrow (host, as "Geoffrey Barnes"), Richard Connell (writer), Dan Seymour (announcer), Alexander Semmler (composer, conductor), Frederick Maytho (? adaptor), Luis Van Rooten, Alan Hewitt. 29:08.

Burns and Allen are one of the most beloved couple in old time radio. They got started, like many of the greats of old time radio, in vaudeville, which is really just the touring popular entertainment in America prior to movies. Gracie was the sparkplug of the act, always the center of attention. George played the foil, the guy vainly trying to make sense of the ditzy world of Gracie. By the early 30s, Gracie was probably the best known woman on radio. Gracie often sang in a voice that showed she was also an excellent comedienne songstress. The shows had names after the sponsors, such as Maxwell House Coffee Time, or The Ammident Show - it was the Burns and Allen show to the public. Other fine radio actors were a part of the fun. Mel Blanc did the happy postman, and was also famous for his zany characters on The Jack Benny Show, and his own Mel Blanc Show. Elliott Lewis, a veteran of many radio dramas, played many of the bit parts on the Burns and Allen shows of the 40s. Burns & Allen were touring England in 1929 when they made their first radio appearance on the BBC. Gracie Allen died on August 27, 1964. George Burns died on March 9, 1996. First Broadcast date february 15th 1932. Last Broadcast date may 17th 1950.

MAYOR OF THE TOWN - An NBC offering. Aired on Sundays from 7:00PM to 7:30PM, starring Lional Barrymore and Agnes Moorehead. The creator and writer was Jean Holloway, the announcer Harlow Wilcox, music by Gordon Jenkins and sponsored by Rinso detergent.

CONFESSION
NBC 30 minutes Sunday at 9:30PM.Cast Paul Frees, virginia Christine,Herb Butterfield, Parley Bear and other Hollywood radio actors. Announcer John Wald. From: July 5, 1953 to September 13, 1954

The Show had a texture and sound not unlike Dragnet, indeed the influence was realized throughout the show. These were true stories of Crime and Punishment, the obvious difference that Dragnet began with the crime while Confession unfolded in reverse order, from the end. Confession was less noisy, it's theme was played on a single piano, but there was still the deadpan dialogue, the thief or killer giving his confession with an air of resignation and defeat. The criminal thus became a stream-of-consciousness narrator, with the action frequently cutting away into drama. "Names were changed to protect the legal rights of the subject"

By the 1940's, Frank and Ann Hummert controlled four and a half hours of national weekday broadcast schedules. Their features reportedly spawned more that 5 million pieces of correspondence annually from steadfast fans. Simultaneously they brought in more than half of the national radio chain's advertising revenues generated during the daylight hours. The couple broadcast 18 quarter-hour serials five times weekly, a total of 90 original episodes for 52 weeks per year, with none of those ever repeated. Some shows were "Amanda of Honeymoon Hill", "Backstage Wife","Chaplin Jim USA", "David Harum", "Easy Aces", "Front Page Farrell", "John's Other Wife", "Just Plain Bill", "The Life of Mary Sothern","Lora Lawton", "Lorenzo Jones", "Ma Perkins", "Mrs Wiggs of the Cabbage Patch", "Our Gal Sunday", "The Romance of Helen Trent" and "Young Widder Brown".

The Black Museum - Opening in 1875, the Crime Museum at Scotland Yard is the oldest museum in the world purely for recording crime. The name Black Museum was coined in 1877 by a reporter from The Observer, a London newspaper, although the museum is still referred to as the Crime Museum. The idea of a crime museum was conceived by Inspector Neame who had already collected together a number of items, with the intention of giving police officers practical instruction on how to detect and prevent burglary. It is this museum that inspired the Black Musuem radio series. The museum is not open to members of the public but is now used as a lecture theatre for the curator to lecture police and like bodies in subjects such as Forensic Science, Pathology, Law and Investigative Techniques. A number of famous people have visited the musuem including Sir Arthur Conan Doyle, Harry Houdini, Stan Laurel and Oliver Hardy. Orsen Welles hosted and narrated the shows. Following the opening, Mr. Welles would introduce the museum's item of evidence that was central to the case, leading into the dramatization. He also provided narration during the show and ended each show with his characteristic closing from the days of his Mercury Theater on the Air, 'remaining obediently yours'.

Crime Classics was a U. S. radio docudrama which aired over CBS from June 15, 1953 to June 30, 1954. Created, produced, and directed by radio actor/director Elliott Lewis, the program was basically a historical true crime series, examining crimes, and especially murders, from the past. It grew out of Lewis's personal interest in famous murder cases, and took a documentary-like approach to the subject, carefully recreating the facts, personages, and feel of the time period. Comparatively little dramatic license was taken with the facts and events, but the tragedy was leavened with humor, expressed largely through the narration.

THIS EPISODE:
September 14, 1953. CBS network. "The Bloody, Bloody Banks Of Fall River". Sustaining. What happened at 92nd Street on a hot summer's evening in 1892. Since Lizzie was acquitted, who killed Mr. and Mrs. Borden? The program is possibly dated September 30, 1953. A similar script was used on "Suspense" on October 4, 1955 (see cat. #24241). Lou Merrill, Morton Fine (writer), David Friedkin (writer), Bernard Herrmann (composer, conductor), Irene Tedrow, Jeanette Nolan, Herb Butterfield, Bob Lemond (announcer), Elliott Lewis (producer, director), Betty Harford, Sarah Selby, William Johnstone, Paul Frees. 29:43.

VICTORY THEATER
"Victory Theater" was the 1942 summer replacement series for "Lux Radio Theater" and was sponsored by the United States Government.

THIS EPISODE:

THE PHILADELPHIA STORY
Philadelphia heiress Tracy Lord throws out her playboy husband C.K. Dexter Haven shortly after their marriage. Two years later, Tracy is about to marry respectable George Kittredge whilst Dexter has been working for "Spy" magazine. Dexter arrives at the Lord's mansion the day before the wedding with writer Mike Connor and photographer Liz Imbrie, determined to spoil things. Written by Col Needham {col@imdb.com}
Cast:Cary Grant as C.K. Dexter Haven , Katharine Hepburn as Tracy Lord , James Stewart as Macaulay Connor,  Ruth Hussey as Elizabeth Imbrie,  John Howard as George Kittredge, Roland Young as Uncle Willie.

Horatio Hornblower
Based on the novels by C. S. Forester.
1952-1953 Series

Broadcast 1952; Transcribed in England for the BBC; aired in U.S. on CBS, then again on ABC in 1954 and Mutual in 1957.  Starring Michael Redgrave as Horatio Hornblower. a captain in the British Royal Navy during the Napoleonic era. The radio series was based on twelve Horatio Hornblower novels written by C.S. Forester. These novels were, and still are, well liked due to their realistic tone and historical accuracy in telling the tales of Naval life in the late 1700s through the mid 1800s. C.S. Forester was well known for his novels about military and naval life, including such fine titles as The African Queen, The Gun, The Barbary Pirates, and The General.

Honest Harold Hemp lived with his mother and nephew and did a radio homemaker's program. The series received undeserved negative ratings and general negative attitude of the critics. The HONEST HAROLD scripts were well crafted with well developed characters and had excellent acting and production values. Many people, including Harold Peary, believed that THE GREAT GILDERSLEEVE would not survive without Peary. However, Willard Waterman assumed the role and most listeners didn't notice the difference, as Mr. Waterman did an excellent job in capturing the essence of the Gildersleeve character. This may have been the single greatest blow to the survival of HONEST HAROLD. There were just too many similarities between the two series. Also, the series was without a sponsor, although some of the last shows were sponsored by the US Armed Forces.

Mr. and Mrs. North are fictional American amateur detectives. Created by Frances and Richard Lockridge, the couple were featured in a series of twenty-six Mr. and Mrs. North novels, a Broadway play, a motion picture, and several different radio and television series. Mr. and Mrs. North was a radio mystery series that aired on CBS from 1942 to 1954. Alice Frost and Joseph Curtin had the title roles when the series began in 1942. Publisher Jerry North and his wife Pam lived in Greenwich Village at 24 St. Anne's Flat. They were not professional detectives but simply an ordinary couple who stumbled across a murder or two every week for 12 years. The radio program eventually reached nearly 20 million listeners.

Archie Andrews, created in 1941 by Bob Montana, is a fictional character in an American comic book series published by Archie Comics, a long-run radio series, a syndicated comic strip and animation -- The Archie Show, a Saturday morning cartoon television series by Filmation, plus Archie's Weird Mysteries.

Archie on radio
Montana's characters were heard on radio in the early 1940s. Archie Andrews began on the Blue Network on May 31, 1943, switched to Mutual in 1944, and then continued on NBC from 1945 until September 5 1953. Archie was first played by Charles Mullen, Jack Grimes and Burt Boyar, with Bob Hastings as the title character during the NBC years.

Hancock's Half-Hour is the yardstick against which all subsequent British sitcoms have been measured, the vast majority failing to size up to its extremely high standards. Based on his famous radio show of the same name, the TV run consolidated Tony Hancock's standing as Britain's leading comic of the day, the entertainer providing ample proof that his wonderfully flexible face could be as expressive as his dextrous radio voice. Tony Hancock was at the height of his powers during the late 1950s, squeezing every comic ounce out of his lines, pulling off perfectly judged pauses and demonstrating a sense of timing to match the great Jack Benny's. His character - Anthony Aloysius St John Hancock - was invariably a loser, whose aspirations and plans were dashed by fate, circumstance, Sid James or, more often than not, his own pomposity or unfettered ambition.